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Studies see a decline from already low numbers, with the comfort zone stretching to spring 2021. (American Theatre)
From going to a library or museum, to visiting a concert, the Texas Medical Association created a graphic to assess the scale of risk, on a scale of one to 10. (Hyperallergic)
Curating Tomorrow has released a report, which examines how museums may use Disaster Risk Reduction approaches, safeguard themselves, and enhance their contributions to the wider world. (Curating Tomorrow)
As the writer and actor takes I, Cinna (the Poet) on to Zoom, he talks about how the pandemic may result in shaking up the structure of theatre for the better. (The Guardian)
From the coronavirus to Black Lives Matter protests, the first half of 2020 shocked and shoot the art world. Prominent artists, dealers, collectors and executives discuss what happen and what the future might hold. (The Wall Street Journal)
Coronavirus, anger over policing and strained budgets pack triple punch in cities like New York, Los Angeles and Boston, but don’t count cities out, urban experts say. (The Wall Street Journal)
As the calls for long overdue change sweep every aspect of our society, BIPOC theatre workers are meeting the moment, developing a new social contract for work environments. (weseeyouWAT.com)
Questions about who has a say in shaping cities, and what that process should look like, are not new, and the calls to treat those spaces with racial equity in mind could force cities to reconsider their answers. (The New York Times)
Rethinking boards for nonprofits, including several examples of alternative approaches to governance. (Nonprofit AF)
The Prussian Cultural Heritage Foundation, which oversees 15 collections holding millions of objects, has been deemed too unwiedly. (arnet News)
Free admission to the UK’s museums and galleries has long been held up as a touchstone for cultural access, but could it be under threat post-lockdown? From subscription models to tiered pricing, alternative solutions might just provide the reboot that the arts sector has been looking for. (Elephant)
COVID-19 has only accelerated what has bound to happen in the arts world – the collapse of unsustainable economic models. It’s time to think again about where income comes from – and what we spend it on. (Arts Professional)
The Serpentine’s chief technology officer and its curator consider the future of art technology from an infrastructural perspective. (artnet News)
The French company behind flashy digital shows of Klimt, Klee, van Gogh and others is bringing fine art to a mass audience. And it’s turning a profit. (The New York Times)
Theatre critic, Lyn Gardner, advocates that the UK government’s financial package for the arts protects the entire theatre ecology rather than the interests of the nation’s cultural leaders. (The Stage)
Laura Callanan, Founding Partner of Upstart Co-Lab, shares experiences of how creatives used their businesses to get their communities during the COVID-19 crisis, and how investors can help the creative economy. (Creative Industries Policy & Evidence Centre)
OPERA America is running an ongoing campaign to ensure the opera field is supported in the federal COVID-19 Relief Packages. (The Performing Arts Alliance)
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