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The Art Newspaper's annual survey shows how the pandemic had a devastating impact on museums around the world—but there were some silver linings. (The Art Newspaper)
While many arts organizations have been experimenting with selling tickets to digital performances, the revenue is hardly enough to sustain the performing arts culture that existed before the pandemic, the new data show. (NPR)
One year into the pandemic, the performing arts have re-emerged by transitioning to technological platforms such as film, online recordings, audio, and immersive theater. The explosion of digital productions over the last year has not only changed the way live theater is consumed but is giving artists looking to break into the industry hope that theater is still alive. (DC Metro)
In the wake of major changes in Hong Kong’s political landscape come fresh attacks on the M+ collection and curatorial independence, with pressure to remove artworks considered critical of China. (South China Morning Post)
MuseumsEtc recently released Collections and Deaccessioning in a Post-Pandemic World, a volume of three books about how museums must be different after COVID-19, both socially and financially. AEA’s Director Adrian Ellis and Consultant Harry Fisher-Jones were among a distinguished group of authors, contributing a chapter titled, The Other End of the Telescope: Deaccessioning as a Public Good. Use code DXS10 for 10% off a copy. (MuseumsEtc)
At a virtual conference held by Columbia University’s Italian Academy for Advanced Studies in America on Friday, academics pushed against a number of myths surrounding the Benin Bronzes, a group of thousands of art objects looted from the Kingdom of Benin, in what is now Nigeria, in 1897 by British troops as part of a colonial conquest. (ARTnews)
As momentum grows in Europe behind a push for repatriating the Benin Bronzes, the Church of England is considering returning two works from the cache in its holdings. The Evening Standard first reported the news. (ARTnews)
The National Museum of Ireland (NMI) intends to return 21 historical artefacts looted from Nigeria in the 1890s. While there is no formal plan for when the Benin bronzes will be returned, the NMI said it was committed to progressing “a restitution process” for the artefacts. (The Sunday Times)
Assembled in a mere four months, pivoting off an important national event, the Speed Museum offers a new, relevant exhibition model for aging institutions. (The New York Times)
As venues experiment with selling virtual exhibition tours, talks and workshops online, the key to success may be an emphasis on the expert, bespoke and exclusive. (The Art Newspaper)
Despite being 7,000 miles apart, drawing from largely distinct student pools and operating in starkly different cultural contexts, the consistency of experience is essential to the promise Juilliard is making in China. (Jing Culture & Commerce)
The Barnes closed its doors on Fri., March 13, 2020, and a little over a week later, the team launched a YouTube series, sending out “daily servings of art” to its 150,000-subscriber email list. (Fortune)
Clubhouse had about 13.4 million users in late March, according to research firm App Annie, having added about a fifth of that number over the previous four weeks alone. (BBC)
The National Gallery (UK) has announced six shortlisted design teams in its search for a partner to work with on a suite of capital projects to mark its Bicentenary. AEA Consulting is honored to be among one of the firms selected with a team led by Selldorf Architects. (Malcolm Reading Consultants)
Executive Director of New Yorkers for Parks, Adam Ganser, writes about the policy actions that New York City can take to prioritize parks as critical infrastructure and crucial parts of New York’s equitable economic recovery and environmental resilience. (AmNY)
If people cannot visit museums and may not be able to do so for a while, how can the culture sector take museums to the people? Virtual Museums may provide the answer. (Medium)
In recent years, advancements in technology have become increasingly essential to visitor experiences and museum operations around the world. From providing immersive digital engagements, curating the visitor journey, improving wayfinding, and streamlining operations, technology has diverse and growing applications in the museum ecosystem. Now, more than ever, it is imperative that museums stay up to date on the latest trends in technology. (CambridgeSeven)
The French museum has released an online platform featuring all of the museum's artworks, consisting of more than 480,000 pieces. The website showcases artworks from collections in the museum's eight departments, ranging from Islamic art and Renaissance sculptures to Egyptian antiquities and paintings from artists all over the world. (CNN)
Collections Trust is calling for a sector-wide preservation strategy to improve the digital storage arrangements of hundreds of museums and futureproof the benefits of short-term projects. Kevin Gosling suggests it can be done by making better use of existing funding. (Collections Trust)
NFTs have been an investing and pop culture mania for the past few weeks, leading some to wonder if the frenzy is a market bubble fueled by the wealthy and younger traders flush with stimulus money. (CNN Business)
AEA Consulting is a global firm setting the standard in strategy and planning for the cultural and creative industries.
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Since 1991, we have successfully delivered more than 1,000 assignments in 38 countries, helping clients around the world plan and realize vital and sustainable cultural projects.