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Tuesday, October 29, 2024 at 7:30 p.m.
Meany Hall — Katharyn Alvord Gerlich Theater
Few pianists are as universally beloved as Emanuel Ax. In constant demand since his 1974 win at the first Arthur Rubinstein International Piano Competition, Ax has earned a reputation for top-notch performances that “seem to enfold every listener in a metaphorical embrace” (Seattle Times). Ax brings his vantage point of profound musical depth and understanding to explore the theme of fantasies in works by Schumann and Beethoven, inviting us to explore the freedom and expressiveness this form embodies.
PROGRAM
Ludwig van Beethoven: Sonata No. 13 in E-flat Major, Op. 27, No. 1, "Quasi una fantasia"
Robert Schumann: Fantasiestücke, Op. 12
Ludwig van Beethoven: Sonata No. 14 in C-sharp Minor, Op. 27, No. 2, “Moonlight”
Robert Schumann: Fantasy Op. 17
Friday, February 14, 2025 at 7:30 p.m.
Meany Hall — Katharyn Alvord Gerlich Theater
Pianist Conrad Tao and dancer Caleb Teicher combine their individual artistry into a collaboration that drives the imagination and opens the heart for a unique Valentine’s Day performance. The stylistically diverse music of Counterpoint includes the Aria from Bach’s Goldberg Variations, Art Tatum’s stride piano, Arnold Schoenberg’s ironic take on the Viennese waltz, a delicate miniature from Tao and Teicher’s More Forever, and threading it all together — Gershwin’s Rhapsody in Blue.
PROGRAM
J.S. Bach: Aria from the Goldberg Variations, BWV 988
Conrad Tao/CalebTeicher: “Swing 2” from More Forever
Arnold Schoenberg: Five Piano Pieces, op. 23: V. Walzer
Noble/Powell/Tatum: Cherokee
Charles “Honi” Coles & Brenda Bufalino: The Coles and Bufalino Soft Shoe
Johannes Brahms: Intermezzo in E Major, op. 116/4
Wolfgang Amadeus Mozart/David Parker: Song and Dance, based on Mozart's Sonata in A major, K.331: III. Allegretto "Alla Turca"
George Gershwin: Rhapsody in Blue, arr. for solo piano
Maurice Ravel: Sonatine — II. Mouvement de Menuet
Tuesday, March 18, 2025 at 7:30 p.m.
Meany Hall — Katharyn Alvord Gerlich Theater
One of America’s foremost pianists, Jeremy Denk’s creative blend of virtuosic dexterity and colorful imagination has earned him praise as “an artist you want to hear no matter what he performs” (The New York Times). A winner of both the MacArthur “Genius” Fellowship and the Avery Fisher Prize, his bestselling memoir, Every Good Boy Does Fine, showcases his original and insightful writing about music. Denk’s recital features Bach’s Six Partitas for Keyboard, known for being as technically difficult as they are beautiful.
PROGRAM
J. S. Bach: Six Partitas for Keyboard, BWV 825-830
Tuesday, April 8, 2025 at 7:30 p.m.
Meany Hall — Katharyn Alvord Gerlich Theater
Iconoclastic pianist and cultural visionary Lara Downes presents This Land, celebrating the spirit of resilience and imagination that grows at the crossroads of the American journey. The program reflects a wide diversity of voices, both new and familiar, illustrating the beauty that resides in the broad landscape of American music, from Scott Joplin to Angelica Negrón, Florence Price and George Gershwin.
PROGRAM
Scott Joplin: Prelude from Treemonisha; Peacherine Rag; Bethena Waltz; Maple Leaf Rag
Arturo O’Farrill: Kaleidoscope
Florence Price: Piano Sonata in E Minor
Kian Ravaei: Variations on This Land is Your Land
Angelica Negrón: Sueño Recurrente
Traditional: Shenandoah
William Grant Still: Summerland
Duke Ellington: Come Sunday
Shawn Okbepholo: Amazing Grace
Jake Heggie: Looking Back, Facing Forward
Samora Pinderhughes: Transformation
Margaret Bonds: Spiritual Suite
George Gershwin: I Loves You Porgy (arr. Nina Simone)
George Gershwin: Rhapsody in Blue
Tuesday, May 13, 2025 at 7:30 p.m.
Meany Hall — Katharyn Alvord Gerlich Theater
A superb pianist with “impeccable taste and a formidable technique” (The New Yorker), Jonathan Biss channels his deep musical curiosity to connect the pillars of the repertoire with new compositions. He returns to Meany with Schubert’s last major composition for piano — addressing the mysteries of life and death with directness and astonishing beauty — and a new work by Tyshawn Sorey, “a composer of radical and seemingly boundless ideas” (Wall Street Journal) who often melds composition and improvisation.
PROGRAM
Franz Schubert: Sonata in C Minor, D. 958
Tyshawn Sorey: For Anthony Braxton
Franz Schubert: Sonata in B-flat Major, D. 960
meanycenter.org