HELLO EVERYBODY!
Panto-time is officially upon us! Surprises abound in our joy-filled, energy packed, digitally remastered Aladdin: A Musical Panto. Read on to learn more and level-up* your enjoyment of our favorite holiday tradition.
Cheers (& boos, when necessary),
Marcie Bramucci,
Director of Community Investment
Writing duo Pete Pryor (director) and Samantha Reading (choreographer) have reimagined the Aladdin panto we produced years ago, with a digital reboot. Young Aladdin, now a gamer*, must face off against the evil villain Fu (master creator of interactive multiplayer narratives* and simultaneously evil incarnate) as he gathers and seeks to control all information on everyon).
In the cast, you’ll recognize the familiar faces of our Panto veterans (Marissa Barnathan, Kim Carson, Mark Lazar, Emily Kaye Lynn, Susan McKey, Christopher Patrick Mullen, Tom Teti) alongside newly inducted first timers (Zach Aguilar, Peter Danelski, Mike Dorsey, Camilo Estrada, Samantha Funk, Nichalas L. Parker).
The music and lyrics of Michael Ogborn ring out with Thomas Fosnocht III (music director) on piano and the stylings of Kanako Omae Neale on drums. The creative team includes: James F. Pyne, Jr. (scenic design); Rosemarie McKelvey (costume design); Lucas Fendley (sound design); Paul Hackenmueller (lighting design); and Gina Pisasale (dramaturgy). Wrangling this wild crew is Production Stage Manager, Kate McSorely Fossner.
Samantha Reading on how the People’s Light Panto has evolved over the years:
Since we started, we’ve discovered more of what our Panto is here in Malvern versus what the Panto is in Britain. We already started out with a more cohesive storyline but within that, we continue to make discoveries of what works here. Like the messy bit has been through many different iterations of what’s possible in production, but also with the audience. In Britain, it usually involves a character being bullied, so how do we make a messy bit without bullying? All of that has evolved through the years. So how do we embrace our specific culture? And then within that, what can we establish that we can then disrupt?
Pete Pryor on Comedy within the Panto today:
Part of the Panto is just the variety show aspect of it, but it can devolve really quickly if you’re not paying attention to it. It’s an interesting time for comedy. How do you do it with a social conscience? And not everything can be a Trump-ism, because it’s getting so prevalent and ubiquitous that it’s losing its impact. So what is the context now? What do we value? And how can we all have a good time together? Which is tricky because things are happening in such a quick-fire way today. It’s not just technology and games, but it’s memes and jokes and what moves through the culture. The rate at which information and technology are being developed is changing the social contracts between individuals. It’s a fascinating challenge for the broad kind of comedy in the Panto.
Excerpted from an interview with Resident Dramaturg, Gina Pisasale
Some key phrases to level up* your enjoyment of this year’s Panto, as explained by my six year-old son (while playing "Star Wars: The Complete Saga"), and then interpreted by me.
Six-year-old in play: When I do this [fancy move],
get more points, and unlock [name of “awesome” character] and get the next
level. Don’t worry it’s good.
Translation: Progressing to a new level of individual
abilities or status in a (role-playing) video game, usually based on acquiring
points. Thus validating player progress and (possibly) improving player
enjoyment.
Six year old in play: (eye-roll, then raises arms with
controller) Seriously?
Translation: (which I suspect means) A person who plays
video games.
Six year old in play: Yeah, and we should also get "Lego
Ninjago," and maybe Uncle Mike could visit and show me the old stuff more, like
tricks for "Mario Brothers". Then I could show him the "Star Wars" in -aah! No!
Why does it do that? Mom, can I have some Nutella?
Translation: ??????????
When in doubt, ask a knowledgeable youngster to further open this world to you.
Relaxed Performance — Ring in the New Year with us on 12/31 at 2pm as we open this year's Panto to the broadest possible audience with a relaxed performance, encouraging patrons to bring the fullest versions of themselves to this welcoming, safe, and judgment-free environment. Use the discount code PLTACCESS for 50% off tickets to this performance. Details here.
American Sign Language Interpretation — On 12/31 at 2pm, with our relaxed performance (details above), our friends from Hands Up Productions will once again provide American Sign Language Interpretation. When arranging tickets, please notify our patron services team of your interest in the ASL interpretation, so we can provide priority seating for ASL viewing. Use the discount code PLTACCESS for 50% off tickets to this performance.
AfterWORDS Join us for discussions with the cast following Thursday evening performances, beginning 11/30.
Assisted Listening Devices, as well as T-Coil compatability, are available at the box office to enhance your experience of the performance.
Large Print Programs are available for each of our productions. Inquire with House Management when you arrive if you would prefer this option.
with company artists
Before closing this weekend, catch David Ingram in Michael Hollinger’s Red Herring directed by David Bradley at Act II Playhouse.
Peter DeLaurier's acclaimed production of Red Velvet (featuring
frequent PLT guest artists Forrest McClendon and Liz Filios) was extended at
the Lantern Theater this fall. He is currently on stage playing John Barrymore
in Dreaming Glacier Bay
at
Perseverance Theatre in Juneau, Alaska through Sunday.
Marcia Saunders does double duty in the roles of Mrs. Pearce & Mrs. Higgins in My Fair Lady at Quintessence Theatre now through 12/17.
Snow-birds, say hello to Audrey M. Brown in Fort Meyers, FL where she stage manages Disgraced now through 12/10 at Florida Rep.
Greg Wood survived a run of Fifth Third Bank’s Dracula at the Actors Theatre of Louisville. Now with holiday season approaching, he’ll again don the robes of Ebenezer Scrooge in McCarter Theatre Center’s A Christmas Carol just a hop-skip-jump away in Princeton 12/5-31.
Leading a series of
professional development workshops this winter and spring, Mary Elizabeth
Scallen will facilitate webinars in Cultural Competency, and in-person
workshops in Cultural Sensitivity, Effective Teaching Practices, and
Communication Skills with international medical educators at FAIMER, a
foundation based in West Philadelphia.
After lighting Donizetti’s L’Assedio di Calais for Odyssey Opera in Boston, Dennis Parichy is onto The Gift of the Magi at The School House Theater & Arts Center in Croton Falls NY , beginning 12/14.
The Philadelphia Inquirer's John Timpane calls this SOLD OUT(!) show "an all-star affair, by turns profound, ambitious, wide-ranging, and dreamlike." We couldn't agree more!
Read the review.
If you already saw Lights Out, or have tickets for a later date, you are still most welcome to join us for a Community Conversation following the 7:30pm performance
on Tuesday Nov 21st. It will run from 8:45-9:45PM, and is free for all ticket holders
for Lights Out.
Featuring a dynamic group of respondents:
Terrell Green, local performing artist & educator
Homer Jackson, Director of the Philadelphia Jazz Project
Reverend Dayna Spence, Hospice Chaplain
Homa Tavangar, Growing Up Global author, educator and adviser to NBC Sprout and Disney Channel
Facilitated by Nia Ngina Meeks, Thought catalyst
Project Dawn partnerships continue
Last month, the Pennsylvania State Nurses Association invited me to co-present with Michael J Schwien, BS, BSN, RN about our partnership during Project Dawn, which involved a powerful human trafficking (HT) awareness presentation for healthcare professionals in concert with attendance at the play.
We engaged nearly 100 nurse practitioners and healthcare professionals at their Annual Meeting up in the Poconos to share an excerpt from the play and the HT presentation. A board member for PSNA spoke up immediately after the presentation suggesting next steps for how to craft a bill to make this training mandatory for healthcare professionals.
London
This February, People’s Light is London-bound with a group of theatre-lovers. For 26 years(!), Grace Grillet, Administrative Consultant (former Managing Director) has organized this international adventure which includes a whirlwind week of terrific theatre and exciting behind-the-scenes opportunities. With an eight-night stay in the heart of London, travelers will get to see Barnum at the Menier Chocolate Factory, Long Day’s Journey Into Night with performances by Leslie Manville and Jeremy Irons, and a whole lot more.
Iceland
For anyone who prefers to leave massive adventures to chance, we’ve recently announced our 2018 Auction Raffle Trip to Reykjavik, Iceland — a stunning five-night luxury getaway, complete with visits to several Game of Thrones filming locations (plus $1500 in cash for funsies!). Feeling lucky?
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