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Click the image above to check out the cool video trailer for "The Motherfucker With the Hat." Runs on our Morrison Stage through March 30. Video by Tommy Harrington.
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Can you say it? Will your grandmother?
What does it even mean?
Everyone loves The Motherfucker With the Hat, tickets are flying out the door and with only 10 days of performances left, we hope you know by now whether it is a show you are going to see and have bought your tickets here.
With that said, let’s have some fun and talk about the etymology of the word “motherfucker.” Yep, we’re gonna break it down, science-style.
motherfucker, noun (and intransitive verb)
Pronunciation: U.S. /'m?ð?r?f?k?r/
Nonstandard forms: mothafuggah, motherfugger, mudderfucker, muthafucka, muthafuckah, muthafucker, muthafukka.
Coarse slang (orig. and chiefly North American).
1. With negative connotation.
- An obnoxious, despicable, or contemptible person; a very unpleasant person. Frequently used as a term of abuse.
- An unpleasant, difficult, formidable, or oppressive thing, situation, place, etc. Also in weakened use and neutrally, without negative connotations.
2. With positive connotation (chiefly in African-American usage).
- A person; esp. a formidable, strong, or otherwise admirable person. Frequently applied to a member of one's own circle or group.
- A large, impressive, or outstanding example of something.
The Oxford English Dictionary offers two distinctly different connotations for the term motherfucker. How and why did the shift change in our culture? It appears that the connotation of motherfucker changed around the 1950s. People have been calling each other motherfuckers for over a century, but until World War II the term was typically used as an insult. The earliest citations of motherfucker and motherfucking in the Oxford English Dictionary come from the late 19th and early 20th centuries, and they give a sense for how seriously the word was taken. However, there’s no evidence that the word was ever meant to be taken literally, as a reference to incest. By the late ‘50s and ‘60s, motherfucker finally became, in some usages, a positive description. The first positive instance recorded in the OED comes from a 1958 recitation of the folk tale of “Stagger Lee,” the legend (based on a true story) of the black man who would not back down. A 1954 line in the The Life, a collection of oral poetry about black hustlers, reads, “I love him madly, he’s my motherfucking man,” showing that the adjective form could also be used positively.
Thanks to our fab intern Kate McMullan for putting this all together with help from the Oxford English Dictionary and Slate’s culture blog, “How Mofo Got Its Mojo.”
Get your mothafuggah tickets here or by calling our muthafukka Box Office at 503.241.1278.
The Motherfucker With the Hat is presented with support from Marcy & Richard Schwartz, Darci & Charlie Swindells, Kris Olson & Les Swanson, and Weekend Sponsors Karl & Linda Boekelheide.
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Michael Fisher-Welsh and Susannah Mars at the first rehearsal for "The Quality of Life" by Jane Anderson. The show runs April 8 through May 11. Photo by Owen Carey.
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Rehearsing during the day, singing in Italy at night … the life of Susannah Mars!
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Margaret (Susannah Mars) reconciles with daughter Clara (Merideth Kaye Clark) in a scene from "The Light In The Piazza" at Portland Playhouse. Photo by Brud Giles. |
Susannah is back in our big red building and that is just how we like it. She spends her afternoons here in rehearsals for The Quality of Life and then flies across town to sing her heart out in Portland Playhouse’s The Light in the Piazza!
InThe Quality of Life by Jane Anderson, Susannah plays Dinah, a Midwestern wife and mother struggling to cope with the death of her daughter, keep her marriage together and understand the lifestyle choices of her “hippie” cousin dealing with loss of her own.
It turns out that true love knows no bounds, family roots run true and there are a few things red wine and a bong hit won’t fix. Jeanette and Neil live off the land in a yurt on the site of their Northern California home, recently destroyed by a massive fire. Neil is dying. Jeannette’s long-lost cousin and her husband are coming from the Midwest for a visit after losing their daughter. In a love story and comedic drama that plumbs societal, religious and ethical divides, the couples explore their respective life perspectives with finesse, humor, honesty and respect. Directed by Allen Nause with an AMAZING cast that also features Linda Alper, Michael Mendelson and Michael Fisher-Welsh.
Over with our friends at Portland Playhouse, Susannah is “at her diva-fabulous best!” in The Light in the Piazza, according to Carol Wells of The Oregonian.
The year is 1953, and Margaret Johnson (played by Susannah Mars in her Portland Playhouse debut) is traveling with her lovely, naïve adult daughter Clara to Florence, Italy from their native North Carolina. Clara’s developmental challenges have kept her from coming of age back in Winston-Salem, but she unexpectedly finds her very own Italian lover in Florence — turning a pleasant holiday into a life-changing journey of love and transformation. Experience a special chamber orchestration of Adam Guettel and Craig Lucas’ sumptuous contemporary musical in the intimate context of the Playhouse.
Only 10 performances remain of what The Oregonian also called a “stunning production,” this show MUST CLOSE MARCH 30! Click HERE to reserve your seats and enter promo code SCONTO for $5.00 off! Or call them at 503.488.5822, tell them Artists Rep sent you!
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The 2013/14 Artists Repertory Theatre season is presented by the Paul G. Allen Family Foundation. Premiere season sponsors are Ronni Lacroute/WillaKenzie Estate and The Oregonian. Season hotel sponsors are The Mark Spencer Hotel and Hotel deLuxe. Other support comes from Regional Arts Culture Council, Oregon Arts Commission, Oregon Cultural Trust, Oregon Community Foundation, Harold and Arlene Schnitzer CARE Foundation, Meyer Memorial Trust, The James F. and Marion L. Miller Foundation, Rafati's Catering and Poster Garden.
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1515 SW Morrison St.
Portland, Oregon 97205
503.241.1278 |
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